DIRECTED BY: Jared Drake
FEATURING: Zach Galifianakis, Judy Greer, Mía Maestro, Missi Pyle and Chris Coppola
PLOT: Repressed corporate employees the world over are literally bursting apart from
frustration. Innocuous worker George Winsterhammerman must deal with his huge corporate employer’s misguided and demeaning attempts to remedy the malady. But could the source of the problem be the perpetual brain-numbing proselytizing of the very corporations themselves?
WHY IT SHOULD MAKE THE LIST: Visioneers is an unconventional metaphor about the illogic of artificial business and social constructs.
COMMENTS: Set in the not so distant future, Visioneers is a satirical black comedy about the absurdity of corporate culture, futile optimism, and the ridiculous nature of self help schemes. George Washington Winsterhammerman works for the fictitious Jeffers Corporation, a giant corporate bureaucracy. His mid-level workaday job is mundane and unfulfilling. The PA system bombards him hourly with optimistic corporate pep talk encouraging productivity.
Everything is business as usual until George and his personal office staff are made aware that around the world, people are spontaneously exploding—literally. The root of the problem stems from lives of quiet desperation and repression. It seems that everywhere, people are being forced to pay lip service to falsely optimistic corporate culture and to suppress human emotion and rational thought.
The constant denial of emotions, the enforced phony business visages, and the frustration of coping with senseless bureaucracies takes its toll. The pent up stress and officially-enforced anal-retentiveness is causing employees everywhere to literally burst apart into a spray of atomized blood and body parts as surely as if a fuse had been lit to a rectally embedded stick of dynamite. The Jeffers Corporation frantically imposes an endless series of misguided remedies, accompanying them with futile reassurances and encouragement not to explode.
Meanwhile, George has his own worries to deal with. He and his wife are unhappy, he struggles with impotence, his ex convict, whackjob brother founds a freedom-of-expression movement in George’s backyard, and George worries that he too will explode under all of the confusion and pressure. His employer and physician instruct him to relieve stress via a cascade of absurd quack remedies and bizarre devices, such as a “happiness hat” that comes equipped with a mobile of the solar system. Try as he might, George cannot make any of these remedies reduce his anxiety. Finally George has to confront the question of whether or not a lifestyle of mindless productivity, absurd Orwellian bureaucracy, and smiley-faced denial actually provides a positive, substantially meaningful conduit to reality and the human condition.
In the way it addresses the effect of irrational propaganda on the human psyche, Visioneers is reminiscent of Eugene Ionesco’s “Rhinoceros,” with human explosions stemming from modern workplace dogma replacing rhino metamorphosis from political indoctrination.
Visioneers furnishes an effective metaphor for the artificial constructs of the modern world. The film is very funny until it misses its chance to top its premise near the end, when it changes into a personal triumph of self-actualization for the protagonist. With great irony, Visioneers becomes the very thing that it condemns and satirizes; a sort of inspirational icon, akin to the posters on your bosses’ walls with the motivational messages printed at the bottom.
WHAT THE CRITICS SAY:
“…gently absurdist… quirky satire wears its influences on its dystopian sleeve, but an amiable cast and some surprising poignancy add up to Orwell that ends well.”–Michael Rechtshaffen, The Hollywood Reporter (contemporaneous)