“Sultana Meadows” is a fine example of the delightful, under appreciated shorts by Spike McKenzie.  The unsettling images throughout this video are quite reminiscent of David Lynch, and paint a very weird and wonderful picture.

Relationships tend to slowly draw away our good side, and expose the bad.  Mayhap you’ll have much in common with this journey into the bizarre.

For more of Spike visit his YouTube account. I strongly recommend his mock kids show, “Wonderbang Island”.


A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.


Zombieland:  There are many readers of this site who would flock to any zom-com offering, but the good news is that this particular post-zombie-apocalypse comedy, starring Woody Harrelson as a professional killer of the undead, is getting good advance notice, and may even be slightly weird: Andrew Wright of The Stranger is calling it “an absolute, occasionally surreal hoot.”  Zombieland official site.


A Serious Man: The latest Coen brothers film, a star-free philosophical dramedy about growing up Jewish in the American Midwest in the 1960s, is not making theater owners salivate at the prospect of ticket sales, but fans can safely expect to see the brothers’ trademark quirkiness on display.  A Serious Man official site.


Where Is Where? (2009): Experimental narrative film from Finnish artist Eija-Liisa Ahtila centers around the murder of a French boy by his two Arab playmates during the Algerian war and a poet’s attempts to understand the act years later; featuring split-screens and Death as a character.  Where Is Where? at the Museum of Modern Art.


The Wizard of Oz: 70th Anniversary Edition (1939):  Even with flying monkeys, taking apple trees and green-faced cossacks, The Wizard of Oz might not qualify as “weird”; but there’s no doubt that the story is the touchstone of indigenous American fantasy.  This 2-disc edition is from a crystal clear 2005 restoration and features outtakes and deleted scenes, numerous interviews with the surviving cast members and featurettes, and a numerous other extras—disc 1 can even do duty as a Wizard of Oz karaoke machine. Buy from Amazon.  Also available is an “Ultimate” edition that contains a digital copy of the movie and four 8 x 10 inch posters of the main characters. Buy Ultimate Edition.


The Wizard of Oz: 70th Anniversary Ultimate Collector’s Edition:  A scaled down Blu-ray release is probably set for the future, but first comes this extravagant 4 disc limited-edition set with 16 hours (!) of bonus content, along with a 52 page booklet, a 7oth anniversary watch (with “genuine crystals”), and reproductions of original marketing materials. Buy from Amazon.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.


Still from Heart of the Beholder (2005)In 2005, Ken Tipton made a labor of love, an indie film called Heart of the Beholder, regarding the true story of the initial video release of Last Temptation of Christ and the effects it has on a family who owned a small video chain in St. Louis, Missouri during the 1980s.

The CFD, Citizens for Decency, arrived when the owners of the chain chose to carry  Martin Scorsese’s controversial film.  These God-loving red, white and blue, flag- waving Americans came out in droves to harass, bully and literally threaten their employees, family, business and life.

These are the same Americans who undoubtedly burned Dixie Chick albums when that group criticized God’s ambassador here on earth, little George W, and are the same Americans who still visit the Heart of the Beholder website telling Mr. Tipton and company that they are going to  hell while undoubtedly pleasuring themselves at the thought of the filmmakers frying  for all eternity.  Heart of the Beholder is a damned important, desperately needed film.

Although Heart of the Beholder got good reviews and even won some festival awards, predictably, no distributor would touch it.  One would surely think that the making of the film would have brought in some support, perhaps from Temptation‘s producers, Scorsese, etc.   Continue reading HEART OF THE BEHOLDER (2005) & THE LAST TEMPTATION OF CHRIST (1988)


DIRECTED BY: Tobe Hooper

FEATURING: Mathilda May, Steve Railsback, Peter Firth

PLOT: A space shuttle investigating Halley’s comet discovers a spaceship containing three suspended, nude human bodies; returned to Earth, the bodies come alive and begin vampirically sucking the life force out of humans.

Still from Lifeforce (1985)
WHY IT WON’T MAKE THE LISTLifeforce is a grandly cheesy and frequently nonsensical mishmash of B-movie cliches, and a great movie to watch with a six-pack on hand. Although it’s loony, offbeat and fun, it’s ultimately too lightweight and not quite systematically deranged enough to rank as one of the greatest weird movies of all time.

COMMENTSLifeforce starts out as an Alien ripoff, and ends up as a Quatermass and the Pit ripoff; in between, it’s a Dracula ripoff, only with a naked woman wandering around using her electric French kiss to turn half of London into dessicated scarecrows who reanimate as zombie vampires after two hours pass. Yes, I said naked woman: French model Mathilda May’s totally nude performance is the thing everyone remembers about the film, and quite obviously the main source of the movie’s unending popularity. The woman is stunning; her body is such a perfect Platonic embodiment of the feminine form that, like a Greek statue, it transcends the erotic and becomes an object of pure aesthetic reverence. The flick would still be worthwhile without Mathilda, but her nude performance adds that certain something that lodges the movie in the cinematic consciousness. Add in early Industrial Light and Magic style special effects, with electric blue rays shooting everywhere in sight during the vampire zombie apocalypse as stolen human souls merge together and climb into a great glowing column shooting up to the alien mothership, and you have a film that’s visually unforgettable. When the beautifully overwrought pyrotechnics of the film are matched to the ludicrous story, a certain magical b-movie alchemy occurs. Lifeforce‘s script seems to be being made up as the film progresses, with the stunned actors getting their lines a few seconds before shooting (the movie is stuffed with deadpan lines like “a naked girl is not going to get out of this complex,” “now she has clothes,” and “in a sense, we’re all vampires”). Soon after the aliens have been returned to Earth and start sucking the life force from humans, we learn that astronaut Steve Railsback has a convenient psychic link with Mathilda May because she gave him part of her life force when she electro-kissed him, which allows him under hypnosis to follow her about as she jumps from body to body infecting more Englishmen and -women with the rapidly spreading plague, only now she needs her life force back so she visits Steve in erotic dreams and tries to steal it, but then she goes to Westminster Abbey and starts acting as a conduit for all the pilfered human souls her sub-vampires are stealing and draws Steve to her and… well, the exact mechanics of this plot to take over Earth from beyond the stars are iffy (had the script for Lifeforce been available in 1959,  might have considered making it Plan 10 from outer space). But the movie just keeps forging ahead, giving the audience more of what it wants (that is, a naked Mathilda May), regardless of logic.

Dan O’Bannon scripted Lifeforce: although he also wrote the serious Alien, some of his other campy screenwriting efforts (Dark Star, Return of the Living Dead) suggest that his tongue might have been planted in his cheek when he delivered this wacky script to Texas Chainsaw Massacre director Hooper.


“Extraordinarily bizarre mix of science fiction and vampire movie, more likely to provoke derision than any other emotion.”–Halliwell’s Film Guide


DIRECTED  BY: Marcel Sarmiento and Gadi Harel

FEATURING: Jenny Spain, Shiloh Fernandez,

PLOT: Two high school delinquents find an undead young woman and use her as a sex slave.
Still from Deadgirl (2008)

WHY IT SHOULD MAKE THE LIST: Deadgirl is weird by virtue of its highly unconventional subject matter, which is treated in as matter-of-factly as a conventional drama.  It’s also better than you might think;  Deadgirl is one of the best necrophilia-themed movies I’ve seen.

COMMENTS:  When I read any description of a horror movie that includes the words, “teenager” or “students,” it stops me in my tracks, and I groan in disappointment.  However, it was conducive to the plot of this horror yarn that the two antagonistic protagonists be just that.

The pair are working class high school misfits.  (I must note that they are little more working class than the jocks and cheerleaders at most high schools, who stridently compensate for their ordinariness by engaging in meaningless make-work activities and ardently conform in order to raise their perceived social status.)  The two boys in this film are misfits only in the sense that they aren’t on the football team.   Like all teenage boys (and girls, let’s be honest) they are also dying of horniness.

Rickie (Fernandez) predictably covets a cheerleader possessing no redeemable qualities, who is saving herself to be date raped by the captain of the football team some drunken Homecoming night.  One afternoon, his friend J.T. (Segan) convinces him to skip class to drink beer in an abandoned insane asylum.  Where else?

Once there, they discover an inexplicably re-animated, shapely young dead girl (Spain) Continue reading RECOMMENDED AS WEIRD: DEADGIRL (2008)



DIRECTED BY: Jörg Buttgereit

FEATURING: Daktari Lorenz, Beatrice M.

PLOT:  A necrophiliac who works for a corpse disposal service loses his job, his perverted girlfriend, and finally his mind.

Still from Nekromantik (1987)

WHY IT WON’T MAKE THE LIST:  Although Nekromantik is indisputably weird—not simply in its bizarre concept, but in its numerous nightmare digressions from linearity—it can’t be recommended as a viewing experience.  It’s a badly made, tedious parade of revolting and nihilistic imagery with no ambition other than to shock the viewer.  When the film does utilize weirdness, it does so shallowly and irreverently, solely in service of its intent to disturb.

COMMENTS:  Like sex, inherently shocking imagery in film can be used well, to explore the human experience, or (more commonly) it can be used badly and exploitatively.  The ironic celebration of evil in A Clockwork Orange disturbs the viewer deeply, but the purpose of the film isn’t to shock us; it’s to provoke us into thinking more deeply about the problem of evil by forcefully confronting us with the paradox of free will.

Too many artists, however, have noticed that offending huge numbers of people is a far easier way to draw attention to themselves than working hard at their craft and creating something thoughtful and meaningful.  Sometimes, artists get confused and adopt a simple logical fallacy: much great art, like Nabokov’s “Lolita” or Buñuel‘s Un Chien Andalou, has shocked and offended large numbers of people; therefore, the purpose of great art must be to shock people.  (This artistic disorder is commonly known as “John Waters Syndrome”).  Most shocking art, however, is made with a more cynical hand, made with the artistic integrity of a freakshow proprietor.  This is the category into which Jörg Buttgereit’s Nekromantik falls.

Un Chien Andalou opens with a shot of a woman’s eyeball being slit by a straight razor, juxtaposed with a shot of a cloud passing in front of the moon.  The image is shocking but artistic, suggestive and numinous.  Nekromantik opens with a shot of panties dropping and urine streaming onto the grass; the image is banal, and, besides breaking Continue reading CAPSULE: NEKROMANTIK (1987)


We have a lot of articles pending this week—and we’re not sure, even at this late date, in exactly what order the pieces will be published.  We can promise next week that you’ll see our long-pending reader-suggested review of the notorious underground necrophilia shockfest Nekromantik and Alfred’s review of Heart of the Beholder (a documentary on the battle between a mom-and-pop video store and the St. Louis chapter of Citizens for Decency over Martin Scorcese’s The Last Temptation of Christ).

We haven’t published any examples of “the weirdest search terms used to locate the site” lately, but some doozies have come over the server log. “Catfighting stewardesses” gets the “we’re incredibly proud to be ranked #2 on Google for this search term” award.  In the “was that supposed to be an insult?” file, we find “your a weird movie.”  As always, the most competitive category is  the “why the heck did you click on our link when you’re looking for twisted fetish porn?” department.  You’d be amazed at the variety of unprintable sexual practices people spend their free hours scanning the Net for examples of, but the winner this week has a certain twisted poetry to it:  “pointy and puffy movies filled with sperm.”

The updated reader-suggested review queue looks like this: Nekromantik (coming this week), Cowards Bend the Knee (substituted for the unavailable Angel’s Egg), Institute Benjamenta, Pan’s Labyrinth, Ex Drummer, Waking Life, Survive Style 5+, The Dark Backward, The Short Films of David Lynch, Santa Sangre, Dead Man, Inland Empire, Monday (assuming I can find an English language version), The Abominable Dr. Phibes, Barton Fink, What? (Diary of Forbidden Dreams), Meatball Machine, and Xtro.


Another Saturday brings another short film for our readers.

This week was exceptionally difficult, but with some help I selected another short film, “Henri” directed by Will Braden. Henri is a feline who is going to show us a different view on the seemingly carefree life of a house cat. Although this clip is not very weird, it is quite amusing, and certainly worth viewing. Give it a shot. Henri enjoys the attention.


A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

There’s nothing of weird interest coming to the big screen this week.  The desperate might try Pandorum, whose synopsis makes it sound like an uncredited Alien remake… but beware, the producers decided not to allow critics to screen this one in advance, which is usually (although not inevitably) a sign of a stinker.


Paradise (2008):  Michael (Happy Here and Now) Almereyda’s latest documentary stitches together fragments of film captured on his world travels into a film the director calls a celebration of “the idea that life is made up of brief paradisiacal moments—moments routinely taken for granted, and always slipping away.”  Such a documentary seems like a stretch to be considered weird, but those few critics who have seen it report that the disconnected images have a beautiful, magical strangeness to them.


Indianapolis, IN

The “B”-Movie Celebration (Sep. 25 – 27):  There’s nothing outstandingly weird on this year’s slate, but there are a number of interesting, offbeat and fun B-movies to see on the big screen, including the campy Blacula; George Romero’s The Crazies and Night of the Living Dead; John Carpenter’s Dark Star; the 1950’s sci-fi classics Forbidden Planet and Invasion of the Body Snatchers; Sergio Leone’s epic The Good, the Bad, and the Ugly; the notorious Ilsa, She Wolf of the S.S.; and 1980s cult hits Night of the Comet and The Toxic Avenger.   Also featuring a 2009 B-movie awards ceremony (the Golden Cob) and numerous local bands.  As an added incentive, attend screenings of The Birds and Qartermass and the Pit and have fun trying to guess which of the audience members is 366weirdmovies! (Hint: it’s quite possible he will be eating popcorn).  The “B” Movie Celebration Homepage.


Branchage: Jersey International Film Festival (Oct. 1-4):  Anyone who can make it to Jersey (an English-speaking British Crown Dependency off the coast of Normandy, France) on short notice may want to check out this intriguing festival.  According to a promoter, “We’re showing The Secret of Kells in Mont Orgueil Castle with 3D-scapes flashing alongside the animation’s illuminations; a screening of Isolation (about ex-paratroopers in the UK) is going to be shown in the Jersey War Tunnels, built by prisoners of war during WWII, while bands are also playing live soundtracks to films – British Sea Power to Man of Aran, and Icelandic quartet Amiina will string and harp along to Lotte Reiniger silhouette animations.”  Notable films being screened include the Werner Herzog documentaries Grizzly Man and Encounters at the End of the World, Duane Jones’ Moon, The Wizard of Oz, Lindsay Anderson’s very, very weird 1960s counterculture hit If… (starring Malcolm McDowell), and “numerous experimental shorts.”  Sounds like our kind of happening.  Branchage Festival Homepage.


The Haunted World of El Superbeasto (2009): Rob Zombie‘s X-rated cartoon about a Mexican wrestler fighting a Satanic conspiracy and a band of zombie Nazi bikers is too strong for cinemas and gets released directly to DVD.   Buy from Amazon.

Wallace and Gromit: A Matter of Loaf and Death (2008): A new thirty minute short featuring the cult Claymation man and dog duo starting a baking company and encountering a serial killer (!) Warning: for some incomprehensible reason, the DVD release is full-frame. Buy from Amazon.


The Haunted World of El Superbeasto (2009):  See DVD listing above. Buy from Amazon.

Pierre le Fou (1965): The Criterion Collection continues upgrading their old DVD releases to Blu-ray with this typically experimental and stylish tale of lovers on the run from Jean-Luc Goddard. Buy from Amazon

Shaun of the Dead (2004):  The cult hit about a British slacker fighting the undead that sparked the recent fad for “zom-coms.”  Not weird, but in a weak weird week Blu-ray owners may want to give this a rental or add it to their collection. Buy from Amazon.

Wallace & Gromit: The Complete Collection: Nick Park’s four short films featuring Wallace & Gromit, including the most recent A Matter of Loaf and Death (see DVD listing above—word is, the version on Blu-ray is widescreen). It’s hardly the complete collection, since it doesn’t contain the full-length feature The Curse of the Wererabbit, but nomenclature aside, it’s a welcome addition to the Blu-ray ranks. Buy from Amazon.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.


After officially inducting Time Bandits as the 37th entry on the List of the 366 Best Weird Movies of all time, it occurred to me—the project is now just over 10% of the way complete.  What better time to announce my personal (provisional) top 10 picks in two categories: the best weird movies ever made, and the weirdest movies ever made (without regard to quality).  Using only movies that have already been reviewed on these pages, this is what I came up with:


These are essential movies that should be viewed by any movie lover.  Even if they hate “weird” movies, watching these ten strong arguments for immortalizing weirdness on celluloid  will at least help them formulate the reason why.

10. El Topo (1970)Alejandro Jodorowsky‘s surreal spaghetti western, in which he casts himself as a Jesus figure, is undoubtedly one of the most narcissistic movies ever made; but it’s fascinating precisely because it’s full of passionate personal symbolism and mystical obsessions.

9. Adaptation (2002)Charlie Kaufman successfully translates metafiction into the film world with this satirical story of a depressed screenwriter writing the script of the film as we are watching it.

8. Oldboy (2003) – The cold hand of fate hangs over Chan-Wook Park‘s improbable, operatic and extreme fable of vengeance destroying the avenger.

7. Donnie Darko (2001) – The embodiment of teenage angst comes in the figure of Donnie, a teen suffering tormenting visions sent to him by a six foot tall demonic bunny rabbit; a lovable jumbled mess of a movie with a convoluted plot that packs an emotional wallop.

6. Carnival of Souls (1962) – The amateurism of the production paradoxically lends an aura of extreme creepiness to this story of a haunted church organist at odds with reality.


These are damn weird movies that you can put on at a party if you want to clear the room of squares.

10. Archangel (1990) – Amnesiac, nearly silent parable set in a eternally dark Russian city that keeps fighting World War I not knowing the conflict is over; features a coward strangling a Bolshevik with his own intestines.

9. Begotten (1991) – Visually inventive mystical parable that features God disemboweling himself; a parade of metaphorical, metaphysical tortures that is not soon forgotten.

8. Gummo (1997) – A fractured white trash nightmare about the lost denizens of an Ohio town; who can forget Solomon, the weirdest looking kid in the world, eating spaghetti in his filthy bathtub?

7. Dr. Caligari (1989) – A neon pink midnight movie made by an avant-garde porn director; look for the rack inspired by Salvador Dali.

6. Naked Lunch (1991)David Cronenberg wisely chose not to attempt to literally translate William S. Burroughs’ hallucinogenic novel to the screen; instead, he made a movie about Burroughs writing the novel, high on bug powder and taking dictation from typewriter that talks out of its anus.

Place your bets now on the top 5 entries in each category before continuing…


Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!