Category Archives: Certified Weird (The List)

18. NAKED LUNCH (1991)

“It’s impossible to make a movie out of ‘Naked Lunch.’ A literal translation just wouldn’t work. It would cost $400 million to make and would be banned in every country of the world.” –David Cronenberg

Must SeeWeirdest!

DIRECTED BY: David Cronenberg

FEATURING:  Peter Weller, Judy Davis, Julian Sands

PLOT:  Bill Lee is a writer/exterminator in New York City whose wife begins mainlining the bug powder he uses to kill roaches, and convinces him to try it as well.  He becomes addicted to the powder, and one night shoots his wife dead while playing “William Tell.”  Lee goes on the lam and lands in Interzone, an exotic free zone reminiscent of Tangier or Casablanca (but which may exist only in his mind), where he begins taking ever more powerful drugs and typing out “reports” partially dictated to him by his living, insectoid typewriter.

Naked Lunch (1991) still

BACKGROUND:

  • William S. Burroughs’s original novel Naked Lunch was selected as one of the 100 best English language novels written after 1923 by Time magazine.
  • The novel was held not to be obscene by the Massachusetts Supreme Court in 1966.  This was the final obscenity prosecution of a literary work in the United States; there would be no subsequent censorship of the written word (standing alone).
  • Several directors had considered filming the novel before David Cronenberg got the project.  Avant-garde director Anthony Balch wanted to adapt it as a musical (with Burroughs’s blessing), and actually got as far as storyboarding the project and getting a commitment from Mick Jagger (who later backed out) to star.  Among others briefly interested in adapting the novel in some form were Terry Southern, John Huston, Frank Zappa, and Terry Gilliam.
  • Because the novel was essentially a plotless series of hallucinatory vignettes (what Burroughs called “routines’), David Cronenberg chose to make the movie a thinly veiled tale about Burroughs’s writing of the novel, incorporating only a few of the actual characters and incidents from the book.  Actors in the film portray real-life writers and Burroughs associates Jack Kerouac, Allen Ginsberg, and Paul and Jane Bowles.
  • The episode in the film where Lee accidentally shoots his wife while performing the “William Tell routine” is taken from Burroughs real life: he actually shot his common law wife while performing a similar trick in a Mexican bar.  Burroughs felt tremendous guilt through his life for the accident and has said “I would have never become a writer but for Joan’s death.”
  • Naked Lunch won seven awards at the Genie Awards (the Canadian equivalent of the Oscars), including Best Movie and Best Director.
  • Producer Jeremy Thomas has somewhat specialized in bringing weird and unusual fare to the largest possible audience, producing not only Naked Lunch but also Cronenberg’s Crash (1996) and Tideland (2005).
  • Following a definite theme for the year, Judy Davis also played an author’s muse and lover in another surrealistic 1991 movie about a tortured writer, Barton Fink.

INDELIBLE IMAGE:  Clark Nova, Lee’s territorial, talking typewriter, who alternately guides and torments the writer.  He’s a beetle who has somehow evolved a QWERTY keyboard as an organ. When he speaks, he lifts his wings to reveal a sphincter through which he dictates his directives.

WHAT MAKES IT WEIRD:  It begins with an exterminator who does his rounds wearing a three piece suit and fedora.  His philosophy is to “exterminate all rational thought.”  His wife steals his insecticide and injects it into her breast to get high, and gets him hooked on the bug power, too.  A pair of cops question him on suspicion of possessing dangerous narcotics, and leave him alone in the interrogation room with a huge talking “caseworker” bug who explains that his wife is an agent of Interzone, Incorporated, and is not even human.  And this is just the setup, before the film turns really weird.


Original trailer for Naked Lunch

COMMENTS:  Make no mistake: Naked Lunch is clearly David Cronenberg’s movie, not Continue reading 18. NAKED LUNCH (1991)

17. TIDELAND (2005)

“[Producer] Jeremy [Thomas] knew [raising money to make Tideland] would be difficult, particularly because the film is very, very weird.”–Terry Gilliam

Recommended

DIRECTED BY: Terry Gilliam

FEATURING: Jodelle Ferland, Brendan Fletcher,

PLOT:  Jeliza-Rose is a nine year old girl with an active imagination who is being raised by a pair of junkies.  When her father spirits her away to a lonely, dilapidated farmhouse, then takes an extended “vacation” on heroin, Jeliza-Rose is left to her own devices.  She retreats into an intricate fantasy world where her four doll’s heads are her closest companions, but reality is scarcely less bizarre than her imagination: her neighbors are a witch-like one-eyed woman with an unhealthy interest in taxidermy and a childlike mentally retarded man who also lives in his own fantasy world.

tideland

BACKGROUND:

  • Tideland was adapted from a critically praised novel by Mitch Cullin; ironically, this faithful movie adaptation was critically panned.
  • Gilliam made Tideland while on a six month hiatus from directing the big-budget commercial fantasy, The Brothers Grimm (2005).
  • Tideland was a commercial disaster, earning less than $100,000 in its initial domestic run.
  • According to Gilliam, the French distributor did not want to screen this film at Cannes because there is a scene involving farting, which the French find objectionable.

INDELIBLE IMAGE:  Many will remember Jeliza-Rose’s doll’s heads, who make memorably fantastic appearances in an underwater house and flying about inside a man’s ribcage.  But the more indelible image, because it’s repeated so many times, is the view of the broken down farmhouse in front of amber waves of grain.  The look was inspired by the Andrew Wyeth paining “Christina’s World,” and, though unacknowleged, also from the 1990 film The Reflecting Skin (which had an almost identical look as well as an eerily similarly child protagonist). Gilliam often emphasizes the tall gold grass towering over tiny Jeliza-Rose’s head, as if it were surf and she was living in an undersea world.  This ubiquitous aquatic imagery helps to explain the title “Tideland“.

WHAT MAKES IT WEIRD:  Gilliam has described the movie as a cross between “Alice in

Original trailer for Tideland

Wonderland” and Psycho, which sounds weird enough on its own terms.  He pushes the envelope of weirdness even further with his trademark visual flair for phantasmagorical set pieces, for example, with a gloriously imaginative sequences of Jeliza-Rose falling down a rabbit hole full of tumbling syringes.  But even if the audience wasn’t planted firmly inside the skull of the 9-year-old heroine, peering out onto this grotesque world through her child’s eyes, the scenario would have been weird, as the world of Tideland is peopled by grossly exaggerated lowlifes who live out their lives on the lonely fringes of plausibility.

COMMENTS: Tideland is a misunderstood film, which is not automatically the same thing Continue reading 17. TIDELAND (2005)

16. CARNIVAL OF SOULS (1962)

“We hoped for the look of a Bergman film and the feel of Cocteau.”–variously attributed to screenwriter John Clifford or director Herk Harvey

Must See

DIRECTED BY: Herk Harvey

FEATURING: Candace Hilligoss, Sidney Berger

PLOT:  Mary Henry, a church organist, is the lone survivor of an accident when the car she’s riding in plunges over the side of an old wooden bridge.  Looking to start over, she takes a job as an organist at a new church in a town where she knows no one.  She finds herself haunted by the sight of a pale grinning man who appears to her when she is alone, and fascinated by an old abandoned carnival pavilion visible from the window of her boarding house that she senses hold a mysterious significance.

carnival_of_souls
BACKGROUND:

  • Carnival of Souls was made in three weeks for less than $100,000 (figures on the budget vary, but some place it as low as $33,000).  The film was a flop on its initial release, but gained a cult following through late night television showings.  The film was restored and re-released in 1989 to overwhelmingly positive reviews.
  • Director Herk Harvey, screenwriter John Clifford and composer Gene Moore worked together at Centron Corporation, an industrial film company, creating short safety documentaries such as Shake Hands with Danger and high-school propaganda/hygiene films such as What About Juvenile Delinquency? None were ever involved with a feature film again.
  • Mesmerizing star Candace Hilligoss acted in only one other feature film, 1964’s The Curse of the Living Corpse, before retiring to raise a family.
  • The movie has been very influential on other films, particularly low-budget horror films.  Director George Romero has said that the ghostly figures in Carnival of Souls inspired the look and feel of the zombies in The Night of the Living Dead (1968).  Other writers see a Carnival of Souls influence on films such as Eraserhead (in regards to its ability to evoke the nightmarish quality of everyday objects), Repulsion (disintegration of the mind of a sexually repressed woman), and even Apocalypse Now (the shot of Martin Sheen rising from the water mimics a similar scene involving The Man–thanks to Matthew Dessem of “The Criterion Collection” for the catch).
  • Carnival of Souls was “remade” in 1998, although the plot (about a clown killer and rapist) shared nothing with the original except the name and the final twist.  Wes Craven produced.  The remake went direct to DVD and was savaged by critics and audiences alike.

INDELIBLE IMAGE:  What else, but the titular carnival?  Ghostly figures waltz to an eerie, deranged organ score on what appears to be an old merry-go-round at the abandoned amusement park.  The tableau recurs twice in the film: once clearly in a dream, and once near the end as a scene that may also be a dream, but may be another state of being entirely.

WHAT MAKES IT WEIRDCarnival of Souls is set in the ordinary, everyday world, but as seen through the eyes of an alienated, frightened woman.  The world the film depicts is familiar, but made maddeningly strange, and its the subtle, grubby touches rather than ghostly apparitions that allow this creepy low-budget wonder to seep deep under your skin.


8 minute clip from Carnival of Souls (with annotations supplied by a youtube user)

COMMENTS: Carnival of Souls is a minor film miracle.  There was little reason to suspect Continue reading 16. CARNIVAL OF SOULS (1962)

15. STEPPENWOLF (1974)

“…it seems to me that of all my books Steppenwolf is the one that was more often and more violently misunderstood than any other, and frequently it is actually the affirmative and enthusiastic readers, rather than those who rejected the book, who have reacted to it oddly…”–Hermann Hesse in the 1961 prologue to Steppenwolf

DIRECTED BY:  Fred Haines

FEATURING: Max von Sydow, Dominique Sanda, Alfred Baillou

PLOT:  Harry Haller is a world-weary writer and intellectual in the Weimar Republic who is considering committing suicide soon.  One night he meets Hermine, a beautiful young woman, who shows unusual interest in him and makes him pledge obedience to her as she initiates him into the pleasures of the flesh, including jazz, drugs, and sex.  Eventually Hermine leads Harry to the Magic Theater, where a delirious dream about some aspect of his personality lurks behind every door—including, perhaps, his homicidal side.

Still from Steppenwolf (1974)

BACKGROUND:

  • The movie was adapted from Nobel laureate Hermann Hesse’s classic 1927 novel Steppenwolf, which had been rediscovered and adopted by the 1960s counterculture because of it’s perceived revolutionary vision and it’s apparent endorsement of free love and psychedelic drugs.
  • Michelangelo Antonioni (Blowup) was offered the chance to direct but turned it down because he thought the book was unfilmable.
  • This was the only film directed by Fred Haines.  He had previously been co-nominated for an Oscar for Best Adapted Screenplay for Ulysses (1967).
  • Co-producer and LSD-enthusiast Melvin Abner Fishman declared the Steppenwolf would be “the first Jungian film.”
  • The Czech artist Jaroslav Bradac created the wonderful animated sequence, “The Tractate on the Steppenwolf”; the artist Mati Klarwein (who was also responsible for classic album covers for Miles Davis and Santana) created the fascinating paintings that line the corridors of the Magic Theater.

INDELIBLE IMAGE:  For a movie that is so deliberately visionary, there’s not one single image that sticks out far above the others.  The most obvious choices are the images which show Harry simultaneously as a wolf and a man, a concept that is often chosen in numerous variations for covers of paperback editions of the novel.

WHAT MAKES IT WEIRD:  The heavy symbolism and feverish imagery of Hesse’s

Original trailer for Steppenwolf (1974)

masterpiece, written while Freud and Jung’s theories of the unconscious mind were still novel and revolutionary, present some weird scenarios (such as Harry entering into dream debates with the ghosts of Goethe and Mozart).  When this material is adapted through a 1974 lens, an era when cinematographers hadn’t yet come down from the LSD-inspired visual experimentalism of the late 1960s, it becomes even weirder.  From the Magic Theater sequence on, Steppenwolf is truly trippy stuff.

COMMENTS: There’s a difficulty in reviewing movie adaptations of novels, in that the Continue reading 15. STEPPENWOLF (1974)

14. BLOOD DINER (1987)

“I mean, I don’t know how to describe it. But I just did. It’s just an insane f***in’ movie with insane parts. You’re watching it, it gives these curves that you didn’t see coming, until probably I just told you and showed you in the review. But it’s just I don’t even know how else to review it, you know, the, it’s just insane. It’s an insane f****in’ movie. Uncle Bill, you’re insane for liking it, and I’m insane for liking it too. It’s just insanity incarnate. But it’s a lot of fun.”–youtube fan review of Blood Diner

Beware

DIRECTED BY: Jackie Kong

FEATURING:  Rick Burks, Carl Crew

PLOT:  At the direction of their uncle Anwar, a talking brain in a jar, two restaurateur brothers assemble a vessel composed of body parts harvested from immoral women to receive the spirit of the ancient Egyptian goddess Sheetar.  They are opposed by a pair of mismatched cops and the owner of a rival vegetarian restaurant intent on stealing their secret recipe.  After many bloody murders, they must complete only the last ritual, a “Lumerian feast” where Sheetar will take the life of a virgin, along with the attendees at the banquet.

Still from Blood Diner (1987)

BACKGROUND:

  • Blood Diner was originally intended to be a sequel to Herschell Gordon Lewis’ transcendently bad Blood Feast (1963), but when the collaborators could not agree on a scenario the project was changed to a black comedy tribute in the spirit of Lewis’ movie
  • Blood Diner was originally banned in some Canadian provinces and in Iceland, and was heavily cut for release in other countries.

INDELIBLE IMAGE:  As drug-zombies rave and cultists in Egyptian dress attempt to channel the goddess into a stitched-together corpse, a punk band (composed of a singer in a Roman helmet, two backup singers in blue wigs, four sidemen dressed as Hitler and a pantomime horse roaming the stage) plays in the background.

WHAT MAKES IT WEIRD: Most movies featuring talking brains in a jar are weird, and Blood Diner is no exception.


Original trailer for Blood Diner

COMMENTS: There was little in female exploitation director Jackie Kong’s brief oeuvre to Continue reading 14. BLOOD DINER (1987)

13. KUNG FU HUSTLE (2004)

AKA Kung Fu, Kung Fu-sion

“It’s good to go over the line.  It’ll be boring if it doesn’t.  Following reality is not refreshing for me.”–Yuen Woo-ping, fight choreographer for Kung Fu Hustle

Recommended

DIRECTED BY: Stephen Chow

FEATURING: Stephen Chow, Qui Yuen, Wah Yuen, Siu-Lung Leung

PLOT: The Axe Gang, hatchet-wielding hooligans garbed in black-tie evening wear, terrorizes Shanghai in the 1930s. Only the poorest areas avoid falling under their thumb—neighborhoods like Pig Sty Alley, a tenement building where every other resident seems to have one-in-a-million kung fu powers.  When an incompetent ersatz gangster tries to extort protection money from the residents of Pig Sty Alley, he accidentally sets in motion a series of events that brings the Axe Gang into conflict with the poor fighters, with explosive results.
Still from Kung Fu Hustle (2004)

BACKGROUND:

  • Director Stephen Chow worked his way up from the trenches of the Hong Kong film industry, starting in television (including a stint as a children’s TV host). He became one of Hong Kong’s most popular comedians, specializing in a verbal style of comedy called “mo lie tau” (roughly, “nonsense”), which relies heavily on puns, wordplay, incongruities and non sequiturs. He began directing in 1994.
  • Chow’s previous film, Shaolin Soccer (2001), was supposed to be his breakthrough film in the West, but distribution was botched by Miramax and the picture became only a small cult hit on DVD.
  • Chow coaxed many older actors from the kung fu’s heyday out of retirement to star in major roles in Kung Fu Hustle. Qui Yuen (who played the part of “Landlady”) was one of the few female martial arts stars of the 1970s and had a small non-speaking role in the Bond film The Man with the Golden Gun. Wah Yuen (“Landlord”) has over one hundred acting credits, mostly from the late 1970s and early 1980s, and was at one time Bruce Lee’s stunt double. Siu-lung Leung (“The Beast”) was at one time considered third only to Bruce Lee and Jackie Chan as a martial arts star, and had been retired from the film business since 1988.
  • Kung Fu Hustle was the most profitable feature in Hong Kong cinema history. In its US theatrical run it opened as the #5 movie in the country and became the highest grossing foreign language film of 2005.

INDELIBLE IMAGE: There are so many memorable images in Kung Fu Hustle that it’s impossible to determine a consensus favorite.  The vision of two harpist assassins who strum their instruments to summon swords and warriors is a strong candidate, because their poetic menace draws a strong contrast to the lighter and less serious tone of the rest of the film.  Other contenders include the Axe Gang’s Broadway dance number, the Landlady’s whirling Road Runner legs, and a beatific Buddha in the clouds.

WHAT MAKES IT WEIRDKung Fu Hustle begins with a brutal and atypically

Foreign distribution trailer for Kung Fu Hustle (under the title Kung-Fusion)

realistic gangland slaughter on the neon-washed streets of Shanghai, and to celebrate gaining control of the city, the Axe Gang breaks into a carefully choreographed Busby Berkeley style fox trot, waving their tomahawks in the air.  From this moment, the viewer realizes that they are in the hands of a maestro for whom reality is almost infinitely malleable, and who’s willing to switch cinematic styles at the drop of a hatchet to produce the effect he needs.  Chow’s direction drives the movie through numerous stylistic incarnations, from absurd visual comedy through a ballet of breathtakingly beautiful and unreal violence, while quoting everything from Wong Kar Wai to The Shining and The Untouchables to Warner Brothers’ “Looney Tunes,” yet never loses its grip on the story or alienates the viewer with its madcap diversions.

COMMENTS:Kung Fu Hustle is likely to be the most commercially successful, mainstream Continue reading 13. KUNG FU HUSTLE (2004)

12. TROMEO AND JULIET (1996)

“Body piercing.  Kinky sex.  Dismemberment.  The things that made Shakespeare great.” –Tagline for Tromeo and Juliet

DIRECTED BY:  Lloyd Kaufman

FEATURING: , Jane Jensen, Lemmy, Debbie Rochon

PLOT:  Alcoholic Monty Que and unscrupulous Cappy Capulet have a long running feud dating back to their days as partners in a low-budget sleaze movie studio, and they have passed on their personal vendettas to the next generation.  Monty’s son, Tromeo, falls in love with Cappy’s daughter, Juliet.  The two young lovers must overcome the bloody gangland antics of their friends and family, Juliet’s upcoming arranged marriage to a self-mutilating meat-packing heir, and Cappy’s tendency to beat Juliet and lock her in a plexiglass box, among other crossed stars.

tromeojuliet

BACKGROUND:

  • Original drafts of the script had the parts played by costumed characters from other Troma studio releases: The Toxic Avenger, Sgt. Kabukiman, and so on.
  • Much of Shakespeare’s original dialogue was included in the rough cut, but most was removed after negative audience reaction.
  • Rock n’ roll cult figure Lemmy (of the band Motörhead) played the role of the narrator for free, and also donated the song “Sacrifice” to the soundtrack.  Several less famous bands also donated songs for free or for a nominal price.
  • Shakespearean actor William Beckwith played the role of Cappy Capulet under the pseudonym “Maximillian Shaun” because he was a member of the Screen Actor’s Guild and Tromeo and Juliet was a non-union film.

INDELIBLE IMAGE:  Many of the more memorable images in Tromeo and Juliet are too obscene to be depicted in stills.  The best sequence is when Juliet’s belly unexpectedly and rapidly distends and splits open to give birth to…  a surprise.

WHAT MAKES IT WEIRD: Redoing a classic Shakespearean tragedy as a low-budget, offensive farce is a promisingly weird, if obviously gimmicky, premise. Lloyd Kaufman and his Troma team were inspired by the concept, however, and put more creativity into the project than they did in their usual formula schlock fare. The typical Troma anarchy and bad taste reign again here, but the producers add a healthy dollop of bargain-basement surrealism (Juliet’s disturbing sex dreams) and some on-the-cheap arthouse effects (the lovemaking scene in a plexiglass box against a starry backdrop). The result is a movie that’s completely unpredictable, despite a plot known to every high schooler. Tromeo is revolting one moment, and oddly sweet and beautiful the next, an incongruity that only adds to the weird atmosphere.

Short promotional clip for Tromeo & Juliet

COMMENTS: Troma is a low-budget film producer/distributor formed in 1974 to promote Continue reading 12. TROMEO AND JULIET (1996)

11. JACOB’S LADDER (1990)

“Something weird is going on here.  What is it about us?  Even in ‘Nam it was always weird.  Are we all crazy or something?” –line in original screenplay to Jacob’s Ladder

Recommended

DIRECTED BY: Adrian Lyne

FEATURING: , Elizabeth Peña, Danny Aiello

PLOT:  Jacob Singer (nicknamed “Professor” by his army buddies due to his glasses and Ph.D.) is wounded in Vietnam after a harrowing, disorienting battle.  While he is on duty in Vietnam, his young son dies; years later, he works in New York City as a postman and has a sexy new girlfriend, Jezzie.  Jacob begins suffering flashbacks of the day he was wounded, along with hallucinations in which everyday people take on demonic forms—catching brief glimpses of tails, horns, and howling faces with blank features—and eventually discovers that the other members of his unit are experiencing similar symptoms.

jacobs_ladder

BACKGROUND:

  • The script for Jacob’s Ladder shuffled between Hollywood desks for years, impressing executives but not being viewed as a marketable project.  The script was cited by American Film Magazine as one of the best unproduced screenplays.
  • Before he asked to direct Jacob’s Ladder, British director Adrian Lyne was best known for sexy, edgy, and profitable projects such as Flashdance (1983), 9 1/2 Weeks (1986) and Fatal Attraction (1987).
  • Screenwriter Bruce Joel Rubin (who later wrote Ghost [1990] and other commercial properties) says that his script was partly influenced by The Tibetan Book of the Dead.
  • Adrian Lyne states that some of the hellish visual cues in the film, including the whirring and vibrating head effect, were inspired by the woks of grotesque painter Francis Bacon.
  • Lyne deleted scenes and changed the ending after test audiences found the film to be too intense.

INDELIBLE IMAGE:  A blurred, whirring human head which shakes uncontrollably from side to side at tremendous speed, seen several times throughout the film.  The effect looks mechanical, as if the head were an unbalanced ball attached to an out-of-control hydraulic neck.  It was achieved by filming an actor casually shaking his head from side to side at four frames per second, which produced a terrifying effect when played back at the standard twenty-four frames per second.  The technique has been imitated in movies, video games, music videos, and even a porno flick since, but has never since been used to such fearsome effect.

WHAT MAKES IT WEIRD:  Like many psychological thrillers, Jacob’s Ladder strives to keep the audience disoriented and off-balance, wondering what is real and what is false. The movie achieves this effect wonderfully, but what gives it it’s cachet as a weird movie are two intense hallucination sequences: one at an horrifically orgiastic party intermittently lit by a strobe light, and one where the protagonist lies helpless on a hospital gurney as he’s wheeled down an increasingly bizarre and alarming hospital corridor. Both scenes are difficult to forget, equal parts creepy surrealism and visceral body-horror.

Original Trailer for Jacob’s Ladder

COMMENTS: I can’t watch Jacob’s Ladder without comparing it to Alan Parker’s Angel Heart.   The similarities are obvious: both were psychological thrillers with supernatural Continue reading 11. JACOB’S LADDER (1990)

10. ARCHANGEL (1990)

“And we are here as on a darkling plain

Swept with confused alarms of struggle and flight,

Where ignorant armies clash by night.”

Matthew Arnold, “Dover Beach” (quote originally intended to introduce Archangel)

Recommended

DIRECTED BY: Guy Maddin

FEATURING: , Kathy Marykuca

PLOT: In 1919, one-legged Canadian airman Lt. John Boles finds his way to the Russian port of Archangel in the endless night of Arctic winter.  There, he meets Veronkha, whom he believes to be the reincarnation of Iris, his dead love.  Veronkha has problems of her own, in the form of an amnesiac husband who wakes up every day believing this is the day they are to be wed, but Boles tires to woo her nevertheless as Archangel’s ragtag militia battles the Germans and the Bolsheviks without realizing that both World War I and the Russian Revolution are over.

archangel

BACKGROUND:

  • The city of Archangel was the port of entry for Allied soldiers during World War I; therefore, soldiers from America, Canada, and the European allies might very well have been found gathered there (although probably not East Indians and Congolese, as depicted in the film).  Many Allied soldiers were sent to Russia, partially to help assist the Imperial (White) Russians against the Bolshevik Communist rebels (Reds).
  • Some reports say that the version presented on the “Guy Maddin Collection” DVD is a different cut from the theatrical and original VHS version, with tinting and intertitles added.  I haven’t been able to confirm whether differences exist.

INDELIBLE IMAGE:  As his dying act, a lifelong coward strangles a bestial Bolshevik with a length of his own intestine (which is obviously a sausage link).

WHAT MAKES IT WEIRD: The tale of an obsessive, grieving soldier who thinks he’s found

Short clip from Archangel (French subtitles not in original)

the reincarnation of his lost love in a benighted Russian city where the citizens continue to fight a war that is over would be weird enough if told straight.  Director Guy Maddin exaggerates the already dreamlike quality of this tale by clothing it in the archaic period dress of an early sound film, complete with intertitles describing the action, dubbed voices that are occasionally slightly out of sync, and casually disorienting jumps/glitches in the film.  He pushes this inherently confusing story of terminally confused characters further into strange realms with deliberately surreal elements, such as women warriors going to the front dressed in elegant evening headwear, and even odder sights.

COMMENTS: The city of Archangel seems the perfect place to dream.  Isolated from the Continue reading 10. ARCHANGEL (1990)

9. HELP! HELP! THE GLOBOLINKS [HILFE! HILFE! DIE GLOBOLINKS] (1969)

“Headmasters never sing!” –line sung by the headmaster in Help!  Help!  The Globolinks

DIRECTED BY:  Joachim Hess, from a production of composer/librettist Giancarlo Menotti

FEATURING:  The Hamburg State Opera

PLOT:  In this children’s opera, the world has been invaded by bizarre alien creatures named Globolinks, who are allergic to music.   A bus full of children returning to boarding school breaks down in the middle of a lonely forest, and the students are surrounded by the alien creatures.  Meanwhile, back at the school, the headmaster is infected by one of the aliens, meaning that he will soon turn into a Globolink himself.

globolinks

BACKGROUND:

  • Gian Carlo Menotti, the author of Help! Help! The Globolinks, was a well respected, Pulitzer Prize winning composer.  His most popular work is the Christmas opera Amahl and the Night Visitors, which was commissioned specifically to launch the “Hallmark Hall of Fame” television series, and which was shown annually in the United States on television during the Christmas season from 1951-1966.
  • Help!  Help!  The Globolinks, by contrast, was a flop and is rarely performed.  It is usually only mentioned in complete biographies of Menotti.
  • Menotti was a pioneer in adapting opera for telecast, and the film version of Help!  Help!  The Globolinks was originally shown on German television in 1968.

INDELIBLE IMAGE:  No doubt, it’s the Globolinks themselves (pictured above), who come in two varieties: one that looks like a wriggling rook from a chess set, and one that looks like an avant-garde ballerina dressed in a full-body dayglo bungee-jumping suit.

WHAT MAKES IT WEIRD:  A children’s opera about music-loathing aliens is

3 minute clip for Help! Help! The Globolinks courtesy of Naxos (English subtitles available on DVD)

Continue reading 9. HELP! HELP! THE GLOBOLINKS [HILFE! HILFE! DIE GLOBOLINKS] (1969)