Directed by Michael Langan, “Doxology” is an experimental head trip beginning and ending with verses from “Praise God, from Whom All Blessings Flow” or “The Common Doxology”. This short contains floating carrots, dancing cars, and a tennis ball crashing into the moon. What more could you ask for?
The music video is the one form where directors can be weird and experimental without fear of being shunned by the world at large. Made for the band N.A.S.A.’s album “The Spirit of Apollo,” where the concept was to pair unlikely musicians, “Spacious Thoughts” mixes the smooth rap of Kool Keith with the grumblings of ever-weird Tom Waits. Director Fluorescent Hill animates Keith as a black sphere wearing cowboy boots who breathes out Tom as an angry cloud.
Give Zach Galifianakis a late night show, and this is what you’ll get: sketch comedy that’s too absurd for TV. This is the first of seven episodes of Zach’s web series, “Between Two Ferns”. In it Zach interviews Michael Cera about acting in the comedy film Superbad (2007).
For more episodes of “Between Two Ferns” visit: http://www.funnyordie.com/between_two_ferns. Keep in mind that many of these episodes contain language that viewers may find offensive.
Autumnir is an artistic short filmed in a park in Germany using minimal subjects. It’s also seasonally appropriate. Alec Crichton, the creator of this short, has a remarkable talent for taking ordinary entities, and making them look atypical.
For more information on Alec and his work visit http://www.crichton.tv/.
This week’s short is, as Thomas Grootoonk explains it, “A stop-motion animation about a boy who longs for a more vivid and brighter world.” Everything in this short, including music and animation, was done solely by Groontoonk.
Today’s short was written and directed by Julio Pereira. Pereira has released a handful of shorts the past two years that deserve much more attention than they have received. His style is quite dark, and often has a sort of drained feel to it. “Life and the Mirror” will leave you lost in thought.
What the heck is a Shaye St. John? From the evidence provided in this short, it’s a scary, androgynous mask wearing figure that likes to film itself verbally abusing passing trick-or-treaters, then remix the resulting footage to make it look like a low-grade acid trip. Or maybe it’s a robot? Maybe its My Space page would help?
Oh, and happy Halloween, you luscious piece of trash!
This week’s short was created by Gordon Inman eighteen months ago as his senior project film. As you will see, Gordon’s artistic interests don’t stop at film. He is also a very talented musician.
There are some captivating images in this short, including a Popsicle melting in reverse and a rotting watermelon. Although this may not be the most remarkable short I’ve seen, it shows great promise for the future. Our best wishes to Gordon as he continues to explore and express himself through art.
I know we’ve already featured a Betty Boop cartoon in this space (Betty Boop in Snow White), but this one was so good, we had to share. In this episode Bimbo falls into a manhole, and finds himself in a hideout for a group of people in black face with melted candle hats. Determined not to join their group, Bimbo puts himself in a lot of danger.
This cartoon contains a wonderfully outdated music score along with some sound effects that are very unique by today’s standards. There is a short peek at what looks like a famous Disney character at the beginning, and, as you may expect, some very surreal imagery throughout.
We are pleased to debut James Mannan and Robbin Panet’s short film “Hallow’s Dance” on the web. Although there is a mild Halloween theme to the film, Hallow’s Dance should not be confused with a horror film. It is in fact a drama, with the only horror being moral horror at the treatment of Frank/Mom. Co-directed by Robbin Panet and James Mannan, it co-stars 366 scribe Alfred Eaker along with Jason Hignite, Chelsea Rogers, and Terry Dellinger. It contains very mild scenes of suggestive sexuality. The weird part is the short, experimental dream sequence which ends the film, which is shot in black and white with streaming beams of light, accompanied by a catchy organ tune. The short runs approximately 14 minutes.
At the producers’ request, this film will not be released to YouTube or other video hosting sites, and will be available here for one month only.
[Our license to display “Hallow’s Dance” has expired. We will inform you if this film is released, on DVD or otherwise, in the future.]