Here at the Utility Muffin Research Kitchen, our staff is repeatedly faced with a perplexing question: How do you quantify a movie as “weird”? It’s like the old Supreme Court ruling on how to define pornography: “I know it when I see it.” OK, but our mission is to sort out the 366 Weirdest movies, on top of that. Now we’re forced to quantify movies, because some will be on the list and some will not. Given any two movies that appear equally weird, how do you rank them?
It’s an unanswerable question, ultimately. But here, submitted for the consideration of anybody who cares, is the closest thing to an objective system the present author can think of when ranking a movie’s weirdness. It’s the system I partially use when throwing in my vote for yay or nay on whether a movie belongs on the list. Since we even have reader polls once in awhile to vote movies onto the list, perhaps it will do some good to share it. It’s not an iron-clad rule, merely a guide.
What a silly exercise! No doubt Robin Williams from Dead Poets’ Society will charge in here after we’re done and tell us all to rip this page out of the textbook. Have at it, Robin, you’re probably right.
The Weird Movie Ranking System
You can rank a movie’s weirdness in four areas. These axes of ranking are:
- Premise – A wild or original idea. The substance.
- Presentation – The method, attitude, or approach of storytelling. The style.
- Detail – The stuff you see in the “indelible image” and “three weird things” section of list entries.
- Passion – The commitment to an individual and original vision imbued by the movie’s creator(s).
The higher we can rank a movie on each of these axes, the weirder it is. This isn’t anything silly like a one-to-ten scale, just a general mark of “high” or “low.” Most movies can’t make it onto the list with a high ranking in only one aspect. But the more boxes we tick on the list, the higher its chances. Now to examine each axis in more depth:
Premise appears to be the least important metric in measuring a movie’s weirdness. Premise is closely related to plot, but not identical. Some entries, such as Un Chien Andalou, have no plot to speak of. “A girl falls asleep and dreams about a magical fantasy land” can describe both The Wizard of Oz and Alice in Wonderland. The premise doesn’t make the movie weird by itself.
But it sure helps. Being John Malkovich is a great example: An office building staff discovers a portal into an actor’s head, and tries to exploit it for profit. Death Bed: The Bed That Eats is about a bed that eats people. Elevator Movie is Continue reading WHAT MAKES A WEIRD MOVIE WEIRD?