DIRECTED BY: The Spierig Brothers (Micheal Spierig, Peter Spierig)
FEATURING: , Sarah Snook
PLOT: While posing as a bartender on a mission to stop a mad bomber, a “Temporal Agent” who travels to the past to stop crimes before they happen meets a man who promises to tell him the strangest story he’s ever heard.
WHY IT WON’T MAKE THE LIST: Predestination is a fine, twisty-plotted mindbender, but not really any weirder than Looper, Timecrimes, Primer, or other movies that depend entirely on time travel paradoxes for their uncanny effect.
COMMENTS: Predestination is one of those movies that is so dependent on its twists for its effect that it becomes hard to review. Certainly, I would like, if nothing else, to praise Sarah Snook’s star-making performance here; but it’s difficult to discuss what’s so impressive about it without giving away the secret (I will say she shows great range). Nominal protagonist Ethan Hawke is serviceable as the time-weary agent who’s been doing this way too long, but despite being top billed he is essentially the frame for Snook’s bizarrely tragic story. There is not much money here for spectacular visuals—they blow most of the FX budget on a single virtual reality simulator in the movie’s first thirty minutes—but not much is needed to tell the story correctly. Predestination also dances around some big ideas without really addressing them directly. There’s the title conundrum, and a testing of the limits of pragmatism—sure, most everyone agrees it’s ethical to kill one man now to save the lives of one hundred innocents later, but what about killing one guilty party and nine harmless civilians to save one hundred people later? Those ruminations aside, the pleasures here are almost entirely of the unraveling-the-tangled-plot-skeins variety, with Snook’s impressively sympathetic performance as a noteworthy bonus.
When you feel embargoed from discussing the plot at all for fear of mentioning spoilers, a movie becomes hard to discuss; although that very reluctance is also a good sign, since you are implying that there is some pleasure to be spoiled. I will make an observation that it is neat how the Spierig’s script keeps some elements from Robert Heinlein’s original 1958 short story (titled “All You Zombies”) to create an alternate version of the past (specifically, Heinlein imagined a 1960s world where women were barred from becoming astronauts, but allowed to go into space as state-sponsored courtesans!) If Temporal Agents were really running around changing the past, surely they’d be messing up little sociological tidbits like that by accident. More of those sorts of details would have helped kick the film up another notch and added to the feeling of disorientation. Still, Predestination is a solid time travel movie of impeccable lineage, one that is not too difficult to follow despite its complexity. What in another movie might appear to be a plot hole here seems like a rigorous exploration of an alternate understanding of causality. Well done.
WHAT THE CRITICS SAY:
“Like all time-travel stories, this inevitably trips on its own causal illogic – but not before it’s offered you a taste of something genuinely rich and strange, and probably toxic.”–Peter Bradshaw, The Guardian (contemporaneous)
(This movie was nominated for review by “ jeandeaux” who argued that it “explores, in its own weird way, the ultimate concerns of human existence: meaning, loneliness, freedom, and mortality.” Suggest a weird movie of your own here.)