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The List Thus Far (Certified Weird Movies)

3 Women (1977)

8 1/2 (1963)

The 5,000 Fingers of Dr. T (1953)

The Adventures of Buckaroo Banzai Across the Eighth Dimension (1984)

Akira (1988)

Alice [Neco Z Alenky] (1988)

Alice in Wonderland (1966)

Allegro non Troppo (1976)

Altered States (1980)

The American Astronaut (2001)

Antichrist (2009)

Archangel (1990)

Bad Boy Bubby (1993)

Barbarella (1968)

Barton Fink (1991)

The Beast of Yucca Flats (1961)

Beasts of the Southern Wild (2012)

Begotten (1991)

Being John Malkovich (1999)

Belle de Jour (1967)

The Black Cat (1934)

Black Swan (2010)

Blood Diner (1987)

Blood Tea and Red String (2006)

A Boy and His Dog (1975)

Branded to Kill (1967)

Brazil (1985)

Bronson (2008)

Careful (1992)

Carnival of Souls (1962)

Cemetery Man [Dellamorte Dellamore] (1994)

Un Chien Andalou (1929)

The City of Lost Children [La cité des enfants perdus] (1995)

Clean, Shaven (1993)

A Clockwork Orange (1971)

Cowards Bend the Knee, or, the Blue Hands (2003)

Daisies [Sedmikrásky] (1966)

The Dark Backward (1991)

Dead Man (1995)

Dead Ringers (1988)

Delicatessen (1991)

Dillinger is Dead (1969)

Doggiewogiez! Poochiewoochiez! (2012)

Dogtooth [Kynodontas] (2009)

Dogville (2003)

Donnie Darko (2001)

Don't Look Now (1973)

Elevator Movie (2004)

Enemy (2013)

Enter the Void (2009)

Eraserhead (1977)

Escape from Tomorrow (2013)

Eternal Sunshine of the Spotless Mind (2004)

Even Dwarfs Started Small (1970)

Evil Dead II (1987)

Eyes Without a Face [Les Yeux sans Visage] (1965)

Fantastic Planet [La Planète Sauvage] (1973)

Fear and Loathing in Las Vegas (1998)

Fellini Satyricon (1969)

Final Flesh (2009)

Forbidden Zone (1982)

Funky Forest: The First Contact (2005)

Glen or Glenda (1953)

Gothic (1986)

Gozu (2003)

La Grande Bouffe (1973)

Greaser's Palace (1972)

Gummo (1997)

Häxan [Witchcraft Through the Ages] (1922)

Hedwig and the Angry Inch (2001)

Help! Help! The Globolinks [Hilfe! Hilfe! Die Globolinks] (1969)

Holy Motors (2012)

The Holy Mountain (1973)

The Horrors of Spider Island [Ein Toter hing im Netz] (1960)

House [Hausu] (1977)

Howl's Moving Castle (2004)

I Can See You (2008)

Idiots and Angels (2008)

I'm A Cyborg, But That's OK [Saibogujiman Kwenchana] (2006)

The Immaculate Conception of Little Dizzle (2009)

L'Immortelle (1963)

Ink (2009)

INLAND EMPIRE (2006)

Institute Benjamenta, or This Dream People Call Human Life (1995)

Jacob's Ladder (1990)

John Dies at the End (2012)

Johnny Got His Gun (1971)

Keyhole (2011)

Kontroll (2003)

Kung Fu Hustle (2004)

Kwaidan (1964)

The Lair of the White Worm (1988)

The Legend of Suram Fortress [Ambavi Suramis Tsikhitsa] (1984)

Lisztomania (1975)

Little Otik [Otesánek] (2000)

Lost Highway (1997)

Love Exposure (2008)

Lucifer Rising (1981)

Maelstrom (2000)

Malpertuis (1972)

Maniac (1934)

Marquis (1989)

Meshes of the Afternoon (1943)

The Milky Way [La Voie Lactee] (1969)

Mr. Nobody (2009)

Mulholland Drive (2001)

Naked Lunch (1991)

Night of the Hunter (1955)

Night Train to Terror (1985)

Nosferatu (1922)

Nostalghia (1983)

O Lucky Man! (1973)

Pan's Labyrinth (2006)

Paprika (2006)

Performance (1968/1970)

Persona (1966)

Phantasm (1979)

Pi (1998)

The Pillow Book (1996)

Pink Flamingos (1972)

Pink Floyd the Wall (1982)

Prospero's Books (1991)

The Red Squirrel [La Ardilla Roja] (1993)

The Reflecting Skin (1990)

Repo Man (1984)

A Report on the Party and Guests (1966)

Repulsion (1965)

Robot Monster (1953)

The Rocky Horror Picture Show (1975)

Rubber (2010)

Run Lola Run (1998)

The Saddest Music in the World (2003)

Sans Soleil (1983)

Santa Sangre (1989)

The Science of Sleep (2006)

A Serious Man (2009)

Shanks (1974)

Shock Corridor (1963)

Silent Hill (2006)

Sin City (2005)

The Singing Ringing Tree (1957)

Skidoo (1968)

Solaris [Solyaris] (1972) -

Songs from the Second Floor (2000)

Stalker (1979)

Steppenwolf (1974)

Strange Frame: Love & Sax (2012)

Suspiria (1977)

Sweet Movie (1974)

The Swimmer (1968)

Synecdoche, New York (2008)

Tales from the Quadead Zone (1987)

Taxidermia (2006)

Tetsuo: The Iron Man (1989)

Tideland (2005)

Time Bandits (1981)

The Tin Drum (1979)

Tokyo Gore Police (2008)

El Topo (1970)

Toto the Hero [Toto le Heros] (1991)

Trash Humpers (2009)

The Tree of Life (2011)

The Trial (1962)

The Triplets of Belleville (2003)

Tromeo & Juliet (1996)

Uncle Boonmee Who Can Recall His Past Lives (2010)

Upstream Color (2013)

Valerie and Her Week of Wonders (1970)

Vertigo (1958)

Videodrome (1983)

Visitor Q (2001)

Waking Life (2001)

Weekend (1967)

The Wicker Man (1973)

Willy Wonka and the Chocolate Factory (1971)

Yellow Submarine (1968)

You, the Living [Du Levande] (2007)

Zardoz (1974)

CAPSULE: JULIEN DONKEY-BOY (1999)

DIRECTED BY:

FEATURING: , , , Evan Neumann

PLOT: Scenes from the life of schizophrenic Julien and his bizarre family.

Still from Julien Donkey-boy (1999)


WHY IT WON’T MAKE THE LIST: Made between his startling debut Gummo (1997) and his acerbic comeback movie Trash Humpers (2009), Julien Donkey-Boy is the Harmony Korine experiment that falls through the cracks. Sure, it’s got its fertile weird moments—Korine puts Werner Herzog in a gas mask and has him swill cough syrup—but its indifference to narrative or structure makes for a lot of dry patches, resulting in a frequently dull movie that’s of interest to hardcore Korine-ophiles only.

COMMENTS: Switching from familial underwear wrestling matches to hidden camera thrift store excursions to snippets from a freakshow talent contest, with all the footage apparently shot by a drunk and edited by a psychotic, the movie Julien Donkey-boy is as schizophrenic as its protagonist. Julien himself is ably, if unpleasantly, portrayed by Scottish Ewan Bremner, who drools and slurs ridiculous monologues from behind a grill of gold teeth (presumably the source for the “donkey-boy” title reference). Julien’s brother is an aspiring wrestler; his sister practices ballet in her room at night, but she’s in her third trimester. Lording over this motley brood is pop Werner Herzog; he swigs cough syrup (from a slipper), listens to Dock Boggs and occasionally wears a gas mask. He has given up on Julien and his sister and focuses all his hopes and attention on their athletic brother. We absorb these relationships slowly as the movie weaves from one improvised incident to another. Julien spies on his sister dancing, then takes a bath and gibbers out a prayer, then the family has dinner and Herzog discusses the false-teeth cleaning habits of famous people, and so on. Other scenes are simply impressionist camera experiments, with out-of-focus, seasick handheld shots and experimental lighting. Korine keeps up his obsession with grotesqueries and freaks, finding ways to shoehorn a dwarf who plays drums with his feet, a rapping albino, and a human ashtray into the story. One bizarre, disconnected scene shows a nun masturbating. The deliberately undisciplined technique of stitching together sketches shot in various styles is carried over from Gummo, but the collage approach doesn’t work as well for painting a portrait of an individual as it did for a town. By repeating words like mantras and babbling nonsense syllables to fill in the empty spaces in his monologue stream, Julien’s speech resembles a real schizophrenic. But, like a real schizophrenic, although you feel sorry for him, you also don’t want to spend a lot of time with him. The character manages to be simultaneously irritating and boring, which are not the defining characteristics you want in a movie protagonist. In a key scene, Julien proudly recites a poem at the dinner table: “morning chaos eternity chaos midnight chaos noon chaos eternity chaos…” It goes on for several stanzas before Herzog interrupts, explaining he doesn’t like the poem because it’s too “artsy-fartsy.” He then describes the climax of Dirty Harry as his idea of great art. Korine seems to be mocking the public preference for meaningless exploitation over artistic ambition, but the irony is that anyone would consider Dirty Harry a greater achievement than Julien’s nonsense poem. Julien Donkey-boy emerges as the least interesting of Korine’s experimental features, which is a shame because it’s also his most humanistic pictures, and the only one where he seems to truly like his characters (Julien was based on Korine’s uncle). The scene where Sevigny pretends to be Julien’s dead mother while talking to him on the telephone is unexpectedly touching, and the shots of the pregnant blonde meandering through a golden field of sunlit grain while singing hymns counts as the most legitimately beautiful thing Korine has ever filmed. It’s too bad these few sympathetic moments are drowned out by a cascade of babble.

Julien Donkey-boy starts with a certificate (signed by ) proclaiming that the movie was produced in accordance with the Dogma 95 movement. Dogma was a set of rules set forth by von Trier and other Danish filmmakers intended to make filmmaking more naturalistic: i.e. there should only be handheld cameras, no music added, only natural lighting, etc. In practice, almost no Dogma film ever followed all of these arbitrary rules (although, as Armond White incisively pointed out, almost every amateur porn movie did). Julien Donkey-boy includes a non-diegetic musical score and lots of optical trickery that should have precluded it from being certified as a Dogma film.

WHAT THE CRITICS SAY:

“…Korine emerges more clearly this time as a filmmaker exploring the territory where the circus sideshow meets the avant-garde.”–Janet Maslin, The New York Times (festival screening)

(This movie was nominated for review by Eric SG, who rhapsodized that it was “frickin’ weird… Korine’s finest/weirdest accomplishment to date.” Suggest a weird movie of your own here.)

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