DIRECTED BY: Chano Urueta
FEATURING: Abel Salazar
PLOT: A smirking sorcerer is burnt alive by the Spanish Inquisition, only to return three
hundred years later as a shapeshifting brain-eater to wreak his vengeance on the descendants of those who condemned him.
WHY IT WON’T MAKE THE LIST: Brainiac‘s appeal, weird or otherwise, lies almost entirely in its delirious hairy monster with its two-foot, forked, brain-sucking tongue. The beast looks like a mix between a middle-schooler’s papier-mâché art project and a legitimate nightmare.
COMMENTS: Brainiac‘s story of vengeance from beyond the grave is a sloppy mess that exists only to showcase its unforgettable monster. And what a freak that Brianiac is! With its beaklike nose, sharp protruding ears, dual fangs, lobster-claw hands and two foot tongue, its head is hung with more phallic symbols per square inch than any other Mexican monster of its era. To add to its brutish masculine menace, the head is oversized, hairier than Dr. Hyde, and its temples and cheeks bulge and pulse when it sees itself faced with a helpless female victim. The Brainiac’s appearance (not to mention his behavior) is simultaneously goofy and frightening; the mask is so obvious and the facial features so exaggerated that the whole package seems to have been shipped to us equally from the land of parody and the land of nightmare. It’s an image that’s not easily forgotten, and one that’s kept El barón del terror in circulation on TV and video for over forty years, while thousands and thousands of more competent productions have been forgotten. When the monster’s not on screen, bad movie fans can entertain themselves by picking apart the plot’s inconsistencies—I find it especially odd that the Inquisitors who sentenced the Baron to death, presumably all celibate clergymen, each ended up with exactly one descendant three hundred years later. When in human form, the Baron occasionally sneaks off for a snack of brains eaten with a spoon out of a silver chalice. Also keep an eye out for the worst depiction of a comet ever put on the screen. In terms of riotous dialogue and incidents, however, Brainiac is no Plan 9 from Outer Space, and anyone who’s not a connoisseur of crap will find it slow going whenever the monster’s not on screen.
Brainiac was one of the Mexican fantasy movies imported into this country by the legendary K. Gordon Murray, dubbed into English and then sold to kiddie matinees or packaged for late-night TV showings in the U.S. Murray also was responsible for bringing Mexican wrestling superhero movies (e.g. Santo) and several demented fairy tales (Santa Claus, Little Red Riding Hood and the Monsters) north of the border. David Silva, who plays a police detective, later appeared in El Topo as the Colonel.
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