Login/Register

The List Thus Far (Certified Weird Movies)

3 Women (1977)

8 1/2 (1963)

The 5,000 Fingers of Dr. T (1953)

The Adventures of Buckaroo Banzai Across the Eighth Dimension (1984)

Akira (1988)

Alice [Neco Z Alenky] (1988)

Alice in Wonderland (1966)

Allegro non Troppo (1976)

Altered States (1980)

The American Astronaut (2001)

Antichrist (2009)

Archangel (1990)

Bad Boy Bubby (1993)

Barbarella (1968)

Barton Fink (1991)

The Beast of Yucca Flats (1961)

Beasts of the Southern Wild (2012)

Begotten (1991)

Being John Malkovich (1999)

Belle de Jour (1967)

Black Swan (2010)

Blood Diner (1987)

Blood Tea and Red String (2006)

A Boy and His Dog (1975)

Branded to Kill (1967)

Brazil (1985)

Bronson (2008)

Careful (1992)

Carnival of Souls (1962)

Cemetery Man [Dellamorte Dellamore] (1994)

Un Chien Andalou (1929)

The City of Lost Children [La cité des enfants perdus] (1995)

Clean, Shaven (1993)

A Clockwork Orange (1971)

Cowards Bend the Knee, or, the Blue Hands (2003)

Daisies [Sedmikrásky] (1966)

The Dark Backward (1991)

Dead Man (1995)

Dead Ringers (1988)

Delicatessen (1991)

Dillinger is Dead (1969)

Doggiewogiez! Poochiewoochiez! (2012)

Dogtooth [Kynodontas] (2009)

Dogville (2003)

Donnie Darko (2001)

Don't Look Now (1973)

Elevator Movie (2004)

Enemy (2013)

Enter the Void (2009)

Eraserhead (1977)

Escape from Tomorrow (2013)

Eternal Sunshine of the Spotless Mind (2004)

Even Dwarfs Started Small (1970)

Evil Dead II (1987)

Eyes Without a Face [Les Yeux sans Visage] (1965)

Fantastic Planet [La Planète Sauvage] (1973)

Fear and Loathing in Las Vegas (1998)

Fellini Satyricon (1969)

Final Flesh (2009)

Forbidden Zone (1982)

Funky Forest: The First Contact (2005)

Glen or Glenda (1953)

Gothic (1986)

Gozu (2003)

La Grande Bouffe (1973)

Greaser's Palace (1972)

Gummo (1997)

Häxan [Witchcraft Through the Ages] (1922)

Hedwig and the Angry Inch (2001)

Help! Help! The Globolinks [Hilfe! Hilfe! Die Globolinks] (1969)

Holy Motors (2012)

The Holy Mountain (1973)

The Horrors of Spider Island [Ein Toter hing im Netz] (1960)

House [Hausu] (1977)

Howl's Moving Castle (2004)

I Can See You (2008)

Idiots and Angels (2008)

I'm A Cyborg, But That's OK [Saibogujiman Kwenchana] (2006)

The Immaculate Conception of Little Dizzle (2009)

L'Immortelle (1963)

Ink (2009)

INLAND EMPIRE (2006)

Institute Benjamenta, or This Dream People Call Human Life (1995)

Jacob's Ladder (1990)

John Dies at the End (2012)

Johnny Got His Gun (1971)

Keyhole (2011)

Kontroll (2003)

Kung Fu Hustle (2004)

Kwaidan (1964)

The Lair of the White Worm (1988)

The Legend of Suram Fortress [Ambavi Suramis Tsikhitsa] (1984)

Lisztomania (1975)

Little Otik [Otesánek] (2000)

Lost Highway (1997)

Love Exposure (2008)

Lucifer Rising (1981)

Maelstrom (2000)

Malpertuis (1972)

Maniac (1934)

Marquis (1989)

Meshes of the Afternoon (1943)

The Milky Way [La Voie Lactee] (1969)

Mr. Nobody (2009)

Mulholland Drive (2001)

Naked Lunch (1991)

Night of the Hunter (1955)

Night Train to Terror (1985)

Nosferatu (1922)

Nostalghia (1983)

O Lucky Man! (1973)

Pan's Labyrinth (2006)

Paprika (2006)

Performance (1968/1970)

Persona (1966)

Phantasm (1979)

Pi (1998)

The Pillow Book (1996)

Pink Flamingos (1972)

Pink Floyd the Wall (1982)

Prospero's Books (1991)

The Red Squirrel [La Ardilla Roja] (1993)

The Reflecting Skin (1990)

Repo Man (1984)

A Report on the Party and Guests (1966)

Repulsion (1965)

Robot Monster (1953)

The Rocky Horror Picture Show (1975)

Rubber (2010)

Run Lola Run (1998)

The Saddest Music in the World (2003)

Sans Soleil (1983)

Santa Sangre (1989)

The Science of Sleep (2006)

A Serious Man (2009)

Shanks (1974)

Shock Corridor (1963)

Silent Hill (2006)

Sin City (2005)

The Singing Ringing Tree (1957)

Skidoo (1968)

Solaris [Solyaris] (1972) -

Songs from the Second Floor (2000)

Stalker (1979)

Steppenwolf (1974)

Strange Frame: Love & Sax (2012)

Suspiria (1977)

Sweet Movie (1974)

The Swimmer (1968)

Synecdoche, New York (2008)

Tales from the Quadead Zone (1987)

Taxidermia (2006)

Tetsuo: The Iron Man (1989)

Tideland (2005)

Time Bandits (1981)

The Tin Drum (1979)

Tokyo Gore Police (2008)

El Topo (1970)

Toto the Hero [Toto le Heros] (1991)

Trash Humpers (2009)

The Tree of Life (2011)

The Trial (1962)

The Triplets of Belleville (2003)

Tromeo & Juliet (1996)

Uncle Boonmee Who Can Recall His Past Lives (2010)

Upstream Color (2013)

Valerie and Her Week of Wonders (1970)

Vertigo (1958)

Videodrome (1983)

Visitor Q (2001)

Waking Life (2001)

Weekend (1967)

The Wicker Man (1973)

Willy Wonka and the Chocolate Factory (1971)

Yellow Submarine (1968)

You, the Living [Du Levande] (2007)

Zardoz (1974)

CAPSULE: BLANK CITY (2010)

DIRECTED BY: Celine Danhier

FEATURING: Amos Poe, Jim Jarmusch, Steve Buscemi, Lydia Lunch, Nick Zedd, Richard Kern, ,

PLOT: This documentary examines the “No Wave” and “Cinema of Transgression” film

Still from Blank City (2010)

movements and their connections to performance art and punk rock in New York City circa 1977-1985.

WHY IT WON’T MAKE THE LIST: It’s purely a supplemental feature for your weird movie education, giving background information on a significant underground DIY film movement.

COMMENTS: “It felt like our lives were movies,” says Debbie Harry early on in Blank City. “It was very cinematic.” Perhaps this explains Celine Danhier’s choice, which earned her criticism in some quarters, to place the focus more on the filmmakers than the films in this documentary. Based on the No Wave film clips which illustrate the story, this was the correct angle to take on the material. Most of the “greatest hits” Super-8 highlights consist of grungy hipsters smoking cigarettes in grainy black and white, or walking around dirty East Village streets in washed-out, home-movie color. By contrast, the Bohemian lifestyle the filmmakers fondly recall—sharing $50 apartments in burnt out tenements with cockroaches, shooting on the street on the spur of the moment whenever they could assemble a crew, sneaking into locations to film without permission or permits, and heading off to CBGB’s after a hard day of scraping together footage to drink and dance the night away while a pre-fame Blondie or Television played on stage—is a lot more interesting. The No Wave scene flourished during New York City’s downbeat phase, when the burg was deep in debt, full of abandoned buildings, and riddled by crime and heroin abuse (basically, the New York of Midnight Cowboy and Taxi Driver). The city in the late Seventies was nasty and dangerous, but for nouveau-beatnik types it offered cheap rent, cheaper Super-8 film stock, and the company of like-minded free spirits. Although it grew out of the ashes of the previous New York avant-garde exemplified by and Jack (Flaming Creatures) Smith, movement godfather Amos Poe explains that this wave rebelled against the abstract experimentalism of the previous period, seeking instead a cinema based in realism, narrative, and political consciousness. The works emerging from this enterprise were (for the most part) grounded in the gritty reality of the streets. Filmmakers, graffiti artists and punk bands deliberately cross-fertilized ideas (John Lurie explains that “the painters were in bands, the musicians were making movies or painting, nobody did what they knew how to do.”) The resulting movies were amateur, improvisational, and based around dramatic scenarios that required no money (the most ambitious may have been James Nares’ Rome ’78, which located its story in ancient Rome using classical Gotham facades of museums, libraries and post offices as sets). When Reaganism rolled around and the economy rebounded, there was suddenly money available for funding filmmakers and artists, and success and sell-outs gutted the movement. Jean-Michel Basquiat, who used to use abandoned buildings as his canvases, became a darling of the art world. Susan Seidelman’s punk drama Smithereens (1982) made it all the way to Cannes, and within three years she was making a studio vehicle for Madonna. In 1984 Jim Jarmusch’s Stranger Than Paradise was another festival hit, and the No Wave was suddenly looking relatively mainstream. In reaction to the sudden respectability of the New York underground, in 1985 Nick Zedd, Richard Kern and Lydia Lunch launched a  more dangerous and nihilistic movement they dubbed “Cinema of Transgression.” Equally as amateur as their No Wave forebears, this counter-movement is more interesting (for our purposes, at least) due to their confrontational themes and weird textures. In The Wild World of Lydia Lunch (1983), Nick Zedd documented his breakup with Lunch, basically stalking the annoyed-looking goth beauty with his camera. The same director’s notorious and much-despised Geek Maggot Bingo (1983) features bizarre, Kuchar-esque tableaux: cardboard sets, cheap cyclops masks, and a cameo by horror host Zacherly. Kern’s Manhattan Love Suicides (1985) was a suite of blackly comic short films about obsessive love, each ending with a gruesome suicide. The Cinema of Transgression may not have produced any unquestionable masterpieces (or achieved much that John Waters hadn’t done before, and done better), but it did have the all-important sex, graphic violence, and obscenity charges necessary to garner an enduring infamy not shared by the tamer No Wave movies. All in all, Blank City is an interesting, nostalgic time capsule whose main function may be to inspire you to grab a couple of friends and a cheap camera and make your own movies that no one will ever see. Most of the films profiled here may not be worth the trouble of seeking out, but it sure looks like the artists had a blast making them.

Liquid Sky (1982), a very weird (it’s about aliens hooked on chemicals secreted by the human brain during orgasm) New York based film of the period, gets overlooked because it was made by No Wave outsiders, and because it parodied the New York punk art scene rather than celebrating it. Llik Your Idols (2007) was a lower-profile documentary with a many of the same talking heads, but focused almost entirely on the Cinema of Transgression.

WHAT THE CRITICS SAY:

“The effect is something akin to having chaotically experimental work screened in the sterile white chambers of a modern-art museum, rather than, say, a bedsheet in the back of a squat basement or on a fifth-generation VHS dub. It makes for a certain head-snapping dissonance, but also a granting of respect to artists who have rarely received it.”–Chris Barsanti, Film Journal International (contemporaneous)

3 comments to CAPSULE: BLANK CITY (2010)

  • ShaneWreck

    I prefer Geek Maggot Bingo’s other title, The Freak From Suck Weasel Mountain. I haven’t seen Blank City yet, but I’m a huge fan of both the No Wave scene and The Cinema of Transgression. I’ll definitely have to check this out. By the way, have you seen Richard Kern’s short The Bitches?

  • ShaneWreck

    Two girls, a strap on and a special guest. If that doesn’t refresh your memory then you probably haven’t seen it. It’s definitely not for everyone, but then again, neither is The Cinema of Transgression.

Leave a Reply

  

  

  

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

Indie Flix special offer

indieflix offer