FEATURING: Jeffrey Combs, Jason Barry, Elsa Pataky, Simón Andreu
PLOT: A brilliant young med school graduate gets himself assigned to the institution where Dr. Herbert West is imprisoned so that he can enlist the good doctor’s assistance in continuing his forbidden experiments in reanimating the dead.
WHY IT WON’T MAKE THE LIST: Beyond is a welcome third installment in the Re-Animator saga that continues the series’ tradition of going way over-the-top, but though it’s deranged, nonsensical fun, it’s not even the weirdest entry in its own franchise.
COMMENTS: Fans of the taste-challenged Re-Animator series should be pleased with this charmingly grotesque third sequel, which zips along briskly with a delightful disrespect for logic to a phantasmagorically bloody zombie prison riot finale. Jeffery Combs, now middle-aged but still looking like a eternally perturbed boy genius, returns as Dr. Herbert West to inject his deadpan wit into the proceedings while the world goes mad around him. A large part of Dr. West’s mad charisma comes from the fact that he’s constantly sowing seeds of chaos by pushing forward into realms where man was not meant to meddle, then staring at the carnage with a slightly befuddled frown as yet another reanimated corpse unexpectedly turns homicidal. Obsessed and opportunistic, he’s a nerdy Dr. Frankenstein with an unabashedly amoral streak, who always emerges from his own foul ups unscathed while his unlucky companions end up in the charnel house. West’s experiments on rats in prison have led him to believe that he can use electricity to restore the souls of re-animated corpses and keep them from killing off the nubile women who always happen to be standing around whenever a new zombie pops up. This time around, it’s a Doogie Hauser-esque young prison MD who risks everything to help West better the lot of mankind by mixing up a new vat of glowing green reanimation juice, but through a long string of unfortunate occurrences ends up getting kickboxed about the head by a hot zombie dominatrix for his troubles. Even though this entry aims more for comedy than horror, the atmosphere is eerie: what’s spookier than a half-abandoned post-riot prison, with sounds of massacres echoing in the background while burning toilet paper rolls cast the shadows of iron bars on gray stone walls? The crazed climax gives us about as many zombie-hyphenates as any reanimated corpse fan could hope for: zombie-rats, zombie-girlfriends, a half-zombie, zombie-vision, zombie-fellatio. There’s also a pill-popping prisoner who gets hooked on reanimation fluid, leading to the flick’s most bizarre and surreal gag, and a “cockfight” that must be seen to be believed. All in all, Beyond Re-Animator should leave your lower jaw hanging reasonably close to the ground, which is all we ask for in any movie with “Re-Animator” in the title.
Technically inspired by H.P. Lovecraft, though not at all uncanny, Beyond Re-Animator is set in mythical Arkham, Massachucets. To get that New England ambiance down perfectly, Yuzna hired a team of regional filmmakers—guys like screenwriter José Manuel Gómez and executive producer Carlos Fernández—guys with mucho dinero, who understand that an authentic Massachusetts prison looks exactly like something you’d find on the outskirts of Barcelona.
WHAT THE CRITICS SAY: