7/13 : Arrival
Nine hours in a train, thirteen hours securing Wi-Fi, and a whole ton of walking. All this adds up to your correspondent’s arrival to the 2017 Fantasia Film Festival. No sleep? No problem. This party’s got everything you need to stay on your feet.
Things began with a power-house slaughterfest, Doom-style, with Jung Byung-Gil’s latest picture, The Villainess. Countless dead bodies filled this tale of deadly women, murder agencies, and betrayal. Disarmingly introduced by the commendably low-key director, The Villainess is an ultra-violent assassin revenge movie with a strange “rom-com” interlude. I strongly suspect that would give Byung-Gil a high five after watching it.
Jojo’s Bizarre Adventure: Diamond Is Unbreakable was introduced by no less than Japan’s consulate general, whose gracious speech was followed by some snazzy fantasy-rock violin. Unfortunately, things began to disappoint immediately thereafter; so much so that, having given Jojo a chance for half its length, I had to duck out. Somehow I didn’t get the memo that most of the other attendees received: that this movie was amusing, stylish, and worthwhile. Ignorance of the series no doubt worked against me; the only other culprit I can think to blame is my sobriety.
I have no worries, though. Peeking ahead at the weekend, I find I will be booked solid with very promising titles. As midnight approaches, my first festival day winds down to a close. Tomorrow: three movies, with the action starting at 10 AM. Wish me luck out here; I’ll keep the reports coming.
7/14 : Travel-Size Review, The LaPlace’s Demon
Awkwardly titled, pleasantly unnerving. Giordano Giulvi’s The LaPlace’s Demon is a through-the-looking-glass take on the horror genre, replacing the fear of the supernatural with the terror at the hyper-rational. Eight souls are lured to an ominous mansion high atop a peak on a deserted island and trapped inside. Within, they find a clock-work model of their opulent prison, with eight white pawns. The all-knowing Professor Cornelius explains, via video-tape, they are part of an experiment to see if free will exists. As the pawns inside the model begin moving in sync with the visitors, real fear sets in when one pawn disappears—and an ominous Continue reading 2017 FANTASIA FESTIVAL: MOVIES & MAYHEM IN MONTREAL, VOL. 1